Subject: Theatre Arts
1. Topic-
Characterization on Stage
 
2. Content-
Identifying and relating to aloof characters.
Key Terms:
-Character
-Given Circumstances
-Empathy
-Character Write-up
 
3. Goals: Aims/Outcomes-
1.Students will create individualized, organic and truthful characters.
2.Students will demonstrate ability to work on dramatic work both collaboratively and individually
3.Students will be prepared to create character and scene analyses.
 
4. Objectives-
1.Students will analyze real life and fictional characters and their various motivations in a verbal and theatrical forum.
2. Students will listen to their respective scene partners and respond (on stage) in a theatrically measured and authentic manner.
3.Students will begin transferring the knowledge gleaned from the lesson into a written, creative character analysis, showing complexity in said character.
 
5. Materials and Aids-
-Open space for improv rehearsal and presentation of scenes
-Writing utensils
-Small slips of paper (2’’x8’’)
-Copies of Mark Twain quote
-Prompt for “character write up” assignment (distributed during closure).
-Interactive white board, to visually interact with Twain quote.
 
6. Procedures/Methods-

A. Introduction-

1.Upon entering class, the instructor will read Mark Twain quote “Humans are the only species that blush…or need to”.
2.Students will then form a circle and discuss the meaning of the reading.
3.By end of discussion, with teacher guidance, students will examine concept of objectification and labeling of complex people (key word: empathy).
 

B. Development-

1.Utilizing examples from pop culture, history and fiction, instructor will discuss characters deemed to be “good” and those deemed “evil”.
2.Instructor will discuss the “given circumstances” that have created these characters, in an attempt to have students identify with characters.
3.The main focus of this discussion is for students to see malleability of human nature.
 

C. Practice-

1.The class will be split in half. The first half will write the descriptions of “good” characters on small slips of paper (priests, organ donors, etc.). Second half will do the same activity, but instead write “evil” characters (murderers, racists, etc.).
2.Each ‘evil” student will then pair off with a “good” and TRADE slips.
3.Working with their partners, students will then improvise a short scene in which both characters belong to the same “support” group (Alcoholics Anonymous, Rage-aholics, cancer support group, etc.). Working in an improv-based forum, students will examine what brought seemingly opposite characters to the same setting, with similar challenges, fears and goals.
 

D. Independent Practice-

1.Following closure, students will be introduced to upcoming “character write up” activity.
2. Students will brainstorm what elements of the characters that they created can be captured in the write up (use interactive white board.
3.This activity will span the course of the next three classes and focus on creating a plot of a specific character’s expository information, as well as goals and given circumstances that have created each character’s rounded identity.
 

E. Accommodations (Differentiated Instruction)-

1.Students unable to present in front of the class (due to physical or emotional inability) will work on answering "questions to ask about a character", detailing various answers to open-ended questions about fictional characters (what type of clothing do they wear, what is their biggest fear, who do they idolize, etc.).
2.Seasoned actors in the class will take turns facilitating constructive critique of presentations.
3.Students having difficulty with improvisation will be afforded time to prepare short script for exercise.
 

F. Checking for understanding-

1. Feedback will be provided in socratic manner from student and instructor alike and will be ultimately constructive in nature.
2.Students will assess one another (and self) on previously established standards of theatrical performance and integrity.
3. Students will practice representing their scenes and engraining their feedback.
 

G. Closure-

1.Students will discuss expected and unexpected choices that were made.
2.Students will examine how authentic these choices were and the probability that these characters would meet.
 
7. Evaluation-
1.Student evaluation will be based on their mastery of the concept, as evidenced by the subsequent character write up and, later, on the scene presented based upon said character write up.
2.Effectiveness of lesson will be based upon wrap up discussion and concept carry over into subsequent activities and evaluations.
 

This Lesson Plan is available at (www.teacherjet.com)