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Subject: Halloween Rhythm |
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1. Topic-
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today were going to use claves to create different beats that can
be played against each other in common 4/4 time |
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2. Content-
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What a quarter note is, what an eighth note is. Talk about Halloween
and where it originated.
Benchmark MU.A.2.1.1: The student performs independently simple patterns
and melodies on rhythmic and melodic classroom instruments (e.g.,
percussion instruments and barred instruments) and maintains a steady
tempo.
Benchmark MU.A.3.1.1: The student reads simple rhythmic and melodic
notation, using traditional and nontraditional symbols.
Benchmark MU.B.1.1.2: The student improvises simple rhythmic and melodic
patterns and accompaniments. |
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3. Goals: Aims/Outcomes-
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1. to help kids subdivide
2. be independent when it comes to keeping rhythm
3. learn that different rhythmic patterns can be played against each
other and still create a complete, clean sound. |
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4. Objectives-
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1. have two groups of students beat two different rhythmic patters
group A:
Group B:
2. have S have better concentration while doing rhythm activities |
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5. Materials and Aids-
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two claves per S
white board
Markers
Cassette player
Monster mash tape |
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6. Procedures/Methods-
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A. Introduction-
1. talk about Halloween
2. tell them if anyone feels uncomfortable participating that they
can sit out
3. review the patterns stated above |
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B. Development-
1. go through rhythmic patterns once and demonstrate with Mrs. Graham
how its supposed to sound
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C. Practice-
1. have students play through the rhythms a few times with my help.
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D. Independent Practice-
1.they can copy the patterns on the board down and do them at home
when any type of objects, even hand clapping is part of any piece
of music. |
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E. Accommodations (Differentiated Instruction)-
for students who can grasp the claves they could always use their
hands to clap, or use a drum. |
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F. Checking for understanding-
1.go around and insure that each S is getting the concept and help
them if they are not |
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G. Closure-
1. tell them how great they did and tell them that this type of
practice can be done with any piece of music
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