Call & Response Notation, Handwritten
Name: ___________________ Teacher:
Date : ___________________ Title of Work: ___________________
 
Criteria
Points
1
2
3
4
  
MEASURES & RHYTHMIC ACCURACY
NOT YET Composition is not divided into measures.
PROGRESSING Composition has too many/too few measures, and/or measures contain too many/too few beats.
PROFICIENT Composition has four measures, each containing four beats. *This is the expected level of performance.*
EXEMPLARY Composer used complex rhythms accurately.
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MELODIC STRUCTURE
NOT YET Composer used random pitches, making the melody unpleasant and/or impractical to perform. Composer did not use call & response form.
PROGRESSING Composer used mostly C Major pentatonic pitches, in call & response form, creating a mostly pleasing melody.
PROFICIENT Composer used strictly C Major pentatonic pitches in call & response form. Melody is pleasing and practical to perform. *This is the expected level of performance.*
EXEMPLARY Composer accurately uses slurs, accents, ties to create a more complex, pleasing melody.
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NOTATION CONVENTIONS
NOT YET Composition is missing any or all notation conventions.
PROGRESSING Composer has some notation conventions, such as clef sign, time signature, bar & double bar lines, note stems, and/or these conventions are sometimes used accurately.
PROFICIENT Composer accurately notated clef sign, time signature, bar & double bar lines, and all note stems. *This is the expected level of performance.*
EXEMPLARY In addition to all appropriate notation conventions, composer accurately used dynamic and tempo markings, articulations.
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